I’m a book freak. I always have been! As an 8-year-old, I had to have 2 baskets on my bicycle, one on either side of the back tire, for transporting books back and forth to the library. Even then, I read almost as much non-fiction as fiction. When I found a novel that I liked, well, on the next trip to the library, I was looking for non-fiction to give me background on that time or place. I’ve got a long history of being weird.  This wasn’t any problem, as the books went back to their own house in two weeks.  And as an adult with some discretionary income and the grocery money to spend, I continue to show a fine appreciation for non-fiction, reference books designed to increase my knowledge and skills, every damn craft book I see!  (Now that was a quote from the dear husband, who, having carried my “library” in and out through several moves, is entitled to express his opinion, however wrong it may be).Â
I’ve dabbled in several “crafts” over the years, but always ones that are textile related in some way. I mean, I never did oil-paintings, or stained-glass windows, or sculpture. I’m not a gardener, although I did grow and then can tons of tomatoes in my time. But that wasn’t craft for amusement. That was to feed the kids lots of cheaply made spaghetti sauce over cheap-to-buy pasta! For a long time, I was heavily into counted cross-stitch, reproducing antique samplers, and did cut- and drawn or open-work. Taught myself to do Hardanger (see illustration below).

Most have never heard of Hardanger work, done on even weave fabric. First you do all the embellishments, then you cut all the holes in the fabric with very fine, very pointy, very dangerous little scissors. Very nerve-wracking when you’re a beginner!  For these crafts, I acquired an enormous amount of reference books. Still, it was bearable, and we could live with it.
When I went into my Quilting Phase, though, the book collection of wonderful and necessary reference books grew by leaps and bounds. A whole bookcase of books and quilting magazines. And color theory books, and crazy quilt books, and Baltimore Album quilt books. Oh, my, it got bad.  And when I upgraded my sewing machine to one that would do big embroidery patterns, then I started collecting embroidery patterns, too.   And we had to get more shelves in my sewing room, to hold all the books.
AND NOW —- I’m in my Knitting Phase. This one has lasted quite a few years now. Oh, I was taught as a child, but did more crochet over the years than knitting. I was taught cabling and colorwork and many of the techniques beyond just knit and purl.  And I thought I knew how to knit.
Well, what I’ve found out, over the last few years in my old age, is just exactly how little I knew, despite what I may have thought. And it seems that with each book I buy or read about on the internet, I just continue to add to my list of things I need to learn, or at least, to get much better at.
And now, my thoughts are going in two directions. The book Knitting in the Old Way made a big impression on me – the concept of people knitting from their heads and their hearts, rather than relying on printed directions, made sense to me. My grandmother could not read or write in English or in her native language, but she knit beautiful sweaters. Whether she sized by comparing her work to existing sweaters, or just had an eye for EZ-esque proportions and percentages, I’ll never know, but without reading skills, she was a skilled knitter.  Hmmm, this concept caused me to buy read more on “native” knitting techniques from all over the world – the internet being my downfall here – How in the hell would any of us have heard about Latvian mittens or Cowichan sweaters without the internet? Pretty unlikely, I’ll bet!  (or that Norwegian Hardanger embroidery, too!)  And Ganseys!!  Arans!!  All that patternwork.
The other direction is colorwork. I’ve done it. A few times. It came out, well, acceptable. Maybe even “acceptable” is being very kind. It was recognizable as a duck or a word or a pattern. But the damn internet is getting me again. I’m looking at beautiful colorwork, Scandinavian sweaters. Fair Isle! Go here: http://woolyewe.blogspot.com/   Look at the work! Look at the color!  Imagine the time it took to get that good.
And so I look at my skills, and the internet shows me the skills of others, and I’m getting dissatisfied when I compare the two. There’s a hell of a gap. And I’m hoping to use the dissatisfaction to my benefit, to spur me on to do what is necessary to improve my skills. With that in mind, I placed an order with KnitPicks for quite a few co-ordinating colors of Wool of the Andes. With the cold months ahead, I hope to make winter caps with colorwork, and I’ve got loads of books with simple Scandinavian-looking patterns. Sure, some may go to the family, the grandchildren, but I’m also thinking about charity knitting.  One or two charities I’ve read about on Ravelry that caught my interest. The WotA is affordable for this end, and I think working with wool is best for improving my abilities.
But here’s the catch.  I’ve got a shitload of projects started. Not finished. Languishing. Taking up space. Some need to be finished, some need to be frogged, some need to be tossed. And I need to deal with this problem. Or, well, maybe I can put it off.Â
NO  NO  NO  So I bribed myself.  I’ve got this big box right here, so close I can touch it. And in it is all the beautiful colors of Wool of the Andes, oh, maybe 15 different colors, AND 2 books. Damn KnitPicks had that book sale, ya know. 40% off, and I can’t resist sales.
And I’m not gonna open that box until 8 UFO’s have had “decisions” made as to what needs to be done – and then I’ve gone and done it.
And the box is whimpering and begging.  And I can hear the wool.